Mens Fashion 2014 Boots Suits Winter Magazine Tumblr Shoes Shirts Photos Pics : December 2014

Tuesday 16 December 2014

Gay Men Fashion Mens Fashion 2014 Boots Suits Winter Magazine Tumblr Shoes Shirts Photos Pics

Gay Men Fashion Biography

Source:- Google.com.pk

Some may swear it’s hormonal, some say it’s olfactory and subliminal, a pheromone that’s emitted and as undetectable as breathing, others insist it’s “gaydar”, as in secret messages being sent, intercepted and deciphered. For me it’s something in the eyes, but I can’t really articulate it, regardless, most gay men will tell you that they can just tell if someone else is gay...or “really” gay. While there may be some validity in all those points of view, assuredly the way gay men dress provides the most visible clues.
Gay men dress to attract other gay men. Duh! Gay men dress aware of their sexuality, what their assets and deficits are. Gay men dress to announce what tribe of the species to which they belong, or aspire to, in an effort to attract others of that subset. Exp: the denim and flannel crown, with a touch of middle class construction worker masculinity, hence the Redwing steel toed boots, not a traditional staple in your typical office environment. On the other end of the spectrum there is the "fop", be-suited, colorful, and accessorized, with fastidious attention to trend; they are one tiara short of a queen. Rest assured there are dozens of subsets in-between that define the gay male.
It is rare (but not unheard of) for one subset to be attracted to another subset. Indeed, some sweater queens are attracted to leathermen, but then who isn’t? Still, it’s the exception to the rule. For the most part, like wildebeests we stick with our own.
Gay men do not just wear clothing, they wear outfits. The dress for the occasion, but an occasion can be that’s its Wednesday, it looks like rain, or HR is hiring a new marketing intern. An occasion need not be a wedding, anniversary or birthday party at the in-laws. Gay men despite their cynicism, sarcasm and jaded point of view are hopeless romantics and hold out that someone cute will be walking his English bulldog, ordering a venti caramel apple spice at Starbucks, and therefore providence dictates that one be best prepared, i.e., dressed. The knowledge that they be scrutinized by a potential liaison accounts why gay men will mount a bar stool or lunch counter stool like they are riding English, erect, with derrieres as pert as a palomino.
Gay men are well aware that clothing is costume, and costume is character. We identify our character by selecting from the lexicon of clothing. This sends a constructed message to the tribe, reporting what our expectations are, and what we are willing to do to have them met.
In days of yore, gay men wore red ties as a signal, then came the white floppy handkerchief in the breast pocket of a suit, in the Post-Stonewall era, gay men pierced their left ear, taking the gold ring out when they went to the office, but putting it in at night when they strolled their cruising areas. Aficionados of certain sexual practices came up with a series of colorful bandannas that indicated whether you were a top or bottom, or into things like water sports and bondage. There was the Chelsea clone which is still favored albeit with some concession to fashion. Then came a time thanks to the fashion pages, and the emergence of menswear, that key looks could identify potential gay men, like the 1960’s peacock, the 1970’s Calvin Klein man who wore jeans and bleached white oxford shirts, even the 1980’s had the American Gigolo/Armani look, which included aviator framed sunglasses, which were worn all year long, sunlight not withstanding, and by men who piloted nothing more than their green Ford Mercury.
Most gay men are comfortable with their metro-sexuality. They dote on looking their best at all times. In fact, great time and effort is expended knowing how to drape a shirt artfully into one side of ones pants, and have it hanging out of the other side, catching the belt buckle just so, so that it doesn’t looked forced, which by the way, it most assuredly is. Gay men are aware of how their jeans hang, how much a boot cut should flair, and how long a boot or shoes tip should be proportionate to the hem of their pants. Gay men understand the principles of layering, and just how to tie a scarf, so that it’s functional, but still looks good. Gay men understand how to tone it down in order to almost pass for straight, or turn up the volume to compete with younger men at a circuit party.
Gay men are obsessive observers. They tend to be great fashion forecasters. They know what’s what, before it’s even identified by the mainstream.
It’s always fascinating to me how young gay men create new subsets, clearly aware that they are not really attracted to the traditional subsets. There is a new look, and for lack of a better way to identify it, I will call it the “Adam Lambert with a twist“. It’s straight jet black hair, in wispy bangs, heavily massacred/guyliner eyes, Chanel black polish on their nails, or at least on their pinky’s, lots of leggings and clunky boots, mixed with faux fur vests, pleater jackets, 80‘s retro stripes, and accessorized with S & M cuffs. It reads as a modified Goth. The curious twist comes with a self-defining element, a dark blazer, a tartan vest, or a Louis Vuitton duffel bag.
At present, if I’m honest, my focus of attention is on the power suit, maybe Phineas Cole from Paul Stuart, in navy blue, or amethyst, with a discrete pin stripe, immaculately tailored, with a narrow collar, an equestrian cut, and worn with vivid hot colored ties and pocket squares. Naturally, shirts with spread collars, and in slim cuts, are preferred, if you want to put me over the edge, a French cuff with scarab cuff links will intoxicate me like heroin. Leather (not suede) Gucci-like loafers are ideal, but Fratelli Rosetti is sufficient. A tank watch in gold or plated chrome with an oversize face is part of the prescription, and if they wear "Grey Flannel" it will put me over the edge. Clearly I’m looking to upgrade, as I’m dressed in a scaled down version, that includes second hand blazers from Gieves & Hawkes, John Weitz or Kuppenheimers, worn with practical dress pants, (not pleated) light knit cardigans, and vests to suggest a layer of further undress, vintage ties, worn with colorful socks, accessorized with a leather cuff, two silver bracelets which I seldom leave the house without. My look might suggest an eclectic point of view, closer to interior decoration than to refined astute fashion.

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Mens Fashion Australia Mens Fashion 2014 Boots Suits Winter Magazine Tumblr Shoes Shirts Photos Pics

Mens Fashion Australia Biography

Source:- Google.com.pk
This is a list of magazines primarily marketed to men. The list has been split into subcategories according to the target audience of the magazines. This list includes both 'adult' pornographic magazines as well as more mainstream ones. Not included here are automobile and gadget magazines, many of which are primarily aimed towards men.
In 2009, the feature-length documentary The September Issue was released; it was an inside view of the production of the record-breaking September 2007 issue of U.S. Vogue, directed by R. J. Cutler. The film was shot over eight months as Wintour prepared the issue, and included testy exchanges between Wintour and her creative director Grace Coddington. The issue became the largest ever published at the time; over 5 pounds in weight and 840 pages in length, a world record for a monthly magazine Since then, that record has been broken by Vogue's 2012 September issue, which came in at 916 pages.
Also in 2012, HBO released a documentary entitled In Vogue: The Editor's Eye, in conjunction with the 120th anniversary of the magazine. Drawing on Vogue 's extensive archives, the film featured behind-the-scenes interviews with long time Vogue editors, including Wintour, Coddington, Tonne Goodman, Hamish Bowles and Phyllis Posnick. Celebrated subjects and designers in the fashion industry, such as Nicole Kidman, Sarah Jessica Parker, Vera Wang, and Marc Jacobs, also appear in the film. The editors share personal stories about collaborating with top photographers, such as Leibowitz, and the various day-to-day responsibilities and interactions of a fashion editor at Vogue. The film was directed and produced by Fenton Bailey and Randy Barbato. In October 2012, Vogue also released a book titled Vogue: The Editor's Eye to complement the documentary.
In 2013, Vogue launched the Vogue video channel that can be accessed via their website. The channel was launched in conjunction with Conde Nast's multi-platform media initiative. Mini-series that have aired on the video channel include Vogue Weddings, The Monday Makeover, From the Vogue Closet, Fashion Week, Elettra's Goodness, Jeanius, Vintage Bowles, The Backstory, Beauty Mark, Met Gala, Voguepedia, Vogue Voices, Vogue Diaries, CFDA/Vogue Fashion Fund, and Monday's with Andre.
Books published by Vogue include In Vogue: An Illustrated History of the World's Most Famous Fashion Magazine, Vogue: The Covers, Vogue: The Editor's Eye, Vogue Living: House, Gardens, People, The World in Vogue, Vogue Weddings: Brides, Dresses, Designers, and Nostalgia in Vogue.
Voguepedia
Launched in 2011 by Condé Nast Digital, Voguepedia is a fashion encyclopedia that also includes an archive of every issue of Vogue 's American edition since 1892. Only Vogue staff are permitted to contribute to the encyclopedia, unlike the VogueEncyclo—hosted by Vogue Italia—that receives contributions from anyone As of 9 May 2013, the site is not fully functional, as code still shows in search results and only certain search terms yield results.
In 2005, Condé Nast launched Men's Vogue and announced plans for an American version of Vogue Living that launched in 2006 (an Australian edition already existed at the time). Men's Vogue ceased publication as an independent publication in October 2008 and is now a twice-yearly extract in the main edition.
Condé Nast also publishes Teen Vogue, a version of the magazine for teenage girls in the United States. South Korea and Australia publish a Vogue Girl magazine (currently suspended from further publication), in addition to the Vogue Living and Vogue Entertaining + Travel editions.
Vogue Hommes International is an international men's fashion magazine based in Paris, France, and L'uomo Vogue is the Italian men's version.Other Italian versions of Vogue include Vogue Casa and Bambini Vogue.
Until 1961, Vogue was also the publisher of Vogue Patterns, a home sewing pattern company. It was sold to Butterick Publishing which also licensed the Vogue name. Vogue China was launched in September 2005, with Australian supermodel Gemma Ward on the cover flanked by Chinese models. In 2007 an Arabic edition of Vogue was rejected by Condé Nast International. October 2007 saw the launch of Vogue India, and Vogue Turkey was launched in March 2010.
On 5 March 2010, 16 International editors-in-chief of Vogue met in Paris to discuss the 2nd Fashion's Night Out. Present in the meeting were the 16 International editors-in-chief of Vogue: Wintour (American Vogue), Emmanuelle Alt (French Vogue), Franca Sozzani (Italian Vogue), Alexandra Shulman (British Vogue), Kirstie Clements (Australian Vogue), Aliona Doletskaya (Russian Vogue), Angelica Cheung (Chinese Vogue), Christiane Arp (German Vogue), Priya Tanna (Indian Vogue), Rosalie Huang (Taiwanese Vogue), Paula Mateus (Portuguese Vogue), Seda Domaniç (Turkish Vogue), Yolanda Sacristan (Spanish Vogue), Eva Hughes (Mexican Vogue), Mitsuko Watanabe (Japanese Vogue), and Daniela Falcao (Brazilian Vogue).
Since 2010, seven new editors-in-chief joined Vogue: Victoria Davydova replaced Aliona Doletskaya as editor-in-chief of Russian Vogue;Emmanuelle Alt became French Vogue 's editor-in-chief after Carine Roitfeld resigned;[53] Edwina McCann became Australian Vogue's editor-in-chief after Kirstie Clements was fired; Kelly Talamas replaced Eva Hughes at Vogue Mexico and Vogue Latin America, when Hughes was named CEO of Condé Nast Mexico and Latin America in 2012;and Karin Swerink, Kullawit Laosukrsi, and Masha Tsukanova were appointed editors-in-chief of the newly launched Netherlands, Thailand, and Ukraine editions, respectively.

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Mens Fashion Sneakers Mens Fashion 2014 Boots Suits Winter Magazine Tumblr Shoes Shirts Photos Pics

Mens Fashion Sneakers Biography

Source:- Google.com.pk
Shoemaking became more commercialized in the mid-18th century, as it expanded as a cottage industry. Large warehouses began to stock footwear in warehouses, made by many small manufacturers from the area.
Until the 19th century, shoemaking was a traditional handicraft, but by the century's end, the process had been almost completely mechanized, with production occurring in large factories. Despite the obvious economic gains of mass-production, the factory system produced shoes without the individual differentiation that the traditional shoemaker was able to provide.
The first steps towards mechanisation were taken during the Napoleonic Wars by the engineer, Marc Brunel. He developed machinery for the mass-production of boots for the soldiers of the British Army. In 1812 he devised a scheme for making nailed-boot-making machinery that automatically fastened soles to uppers by means of metallic pins or nails.With the support of the Duke of York, the shoes were manufactured, and, due to their strength, cheapness, and durability, were introduced for the use of the army. In the same year, the use of screws and staples was patented by Richard Woodman. Brunel's system was described by Sir Richard Phillips as a visitor to his factory in Battersea as follows:
"In another building I was shown his manufactory of shoes, which, like the other, is full of ingenuity, and, in regard to subdivision of labour, brings this fabric on a level with the oft-admired manufactory of pins. Every step in it is effected by the most elegant and precise machinery; while, as each operation is performed by one hand, so each shoe passes through twenty-five hands, who complete from the hide, as supplied by the currier, a hundred pairs of strong and well-finished shoes per day. All the details are performed by the ingenious application of the mechanic powers; and all the parts are characterised by precision, uniformity, and accuracy. As each man performs but one step in the process, which implies no knowledge of what is done by those who go before or follow him, so the persons employed are not shoemakers, but wounded soldiers, who are able to learn their respective duties in a few hours. The contract at which these shoes are delivered to Government is 6s. 6d. per pair, being at least 2s. less than what was paid previously for an unequal and cobbled article."
However, when the war ended in 1815, manual labour became much cheaper, and the demand for military equipment subsided. As a consequence, Brunel's system was no longer profitable and it soon ceased business.
Similar exigencies at the time of the Crimean War stimulated a renewed interest in methods of mechanization and mass-production, which proved longer lasting. A shoemaker in Leicester, Tomas Crick, patented the design for a riveting machine in 1853. His machine used an iron plate to push iron rivets into the sole. The process greatly increased the speed and efficiency of production. He also introduced the use of steam-powered rolling-machines for hardening leather and cutting-machines, in the mid-1850s
The sewing machine was introduced in 1846, and provided an alternative method for the mechanization of shoemaking. By the late 1850s, the industry was beginning to shift towards the modern factory, mainly in the US and areas of England. A shoe stitching machine was invented by the American Lyman Blake in 1856 and perfected by 1864. Entering in to partnership with McKay, his device became known as the McKay stitching machine and was quickly adopted by manufacturers throughout New England.[25] As bottlenecks opened up in the production line due to these innovations, more and more of the manufacturing stages, such as pegging and finishing, became automated. By the 1890s, the process of mechanisation was largely complete.
Since the mid-20th Century, advances in rubber, plastics, synthetic cloth, and industrial adhesives have allowed manufacturers to create shoes that stray considerably from traditional crafting techniques. Leather, which had been the primary material in earlier styles, has remained standard in expensive dress shoes, but athletic shoes often have little or no real leather. Soles, which were once laboriously hand-stitched on, are now more often machine stitched or simply glued on. Many of these newer materials, such as rubber and plastics, have made shoes less biodegradable. It is estimated that most mass-produced shoes require 1000 years to degrade in a landfill.[26] In the late 2000s, some shoemakers picked up on the issue and began to produce shoes made entirely from degradable materials, such as the Nike Considered.
In 2007, the global shoe industry had an overall market of $107.4 billion, in terms of revenue, and is expected to grow to $122.9 billion by the end of 2012. Shoe manufacturers in the People's Republic of China account for 63% of production, 40.5% of global exports and 55% of industry revenue. However, many manufacturers in Europe dominate the higher-priced, higher value-added end of the market.
As an integral part of human culture and civilization, shoes have found their way into our culture, folklore, and art. A popular 18th century nursery rhyme is There was an Old Woman Who Lived in a Shoe. This story tells about an old woman living in a shoe with a lot of children. In 1948, Mahlon Haines, a shoe salesman in Hallam, Pennsylvania, built an actual house shaped like a work boot as a form of advertisement. The Haines Shoe House was rented to newlyweds and the elderly until his death in 1962. Since then, it has served as an ice cream parlor, a bed and breakfast, and a museum. It still stands today and is a popular roadside attraction.

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Friday 5 December 2014

Black Men Fashion Mens Fashion 2014 Boots Suits Winter Magazine Tumblr Shoes Shirts Photos Pics

Black Men Fashion Biography

Source:- Google.com.pk
Boateng, whose parents emigrated from Ghana in the 1950s, was born in 1967 in Muswell Hill, North London.
Boateng was inspired by the immaculate suits his father wore, and received his first suit from his mother aged eight: a double-breasted in purple mohair.At fourteen, he found a summer job sewing linings into suits.
While studying computer science at Southgate College at age 16, he was introduced to cutting and designing by his girlfriend. Using his mother's old sewing machine, he started designing and selling to his fellow students, and switched to graduate in fashion and design.
Boateng helped a friend to make clothes for a fashion show, and after receiving praise for his work, sold his first collection to a menswear shop in Covent Garden. Some of his first pieces were also sold in Academy, Newburgh St. C1987 This enabled him to open his first studio in Portobello Road in 1991. In 1994, Boateng staged his first catwalk presentation during Paris Fashion Week, the first tailor to stage a catwalk show in Paris.
Mentored by Tommy Nutter, the success of the Paris show in 1994 enabled Boateng to open his boutique on Vigo Street, the south end of Savile Row, in 1995.
Boateng's contemporary approach to menswear design helped to forge a new appreciation for Savile Row, and draw in a younger demographic. Boateng's moved fully into Savile Row in June 2002,.
In 2005, Boateng was honoured with a major 20-year retrospective event at the Victoria and Albert Museum. The exhibition recognised that Boateng had by combining the highest standards of execution with a fresh, vibrant design philosophy, successfully captured the imagination of both the media and the public.
In 2008, Ozwald Boateng's new flagship store and headquarters are launched at No. 30 Savile Row, on the corner of Savile Row and Clifford Street. The signage and interiors were co-designed with British-Ghanaian Architect David Adjaye. Boateng commented: "The fact that I am now in the old Anderson and Sheppard store means a lot to me. Before I even opened my store on Vigo Street, I never dreamed that I would have my own flagship store in place of tailors that represent the cornerstone of British Tailoring and Savile Row.
In 2003, Boateng launched an original concept in fragrances for women. Bespoke comprises two different vials of fragrance within an elongated, jewel-like bottle. Developed with the whole essence of "bespoke" in mind, women have the option of wearing each fragrance separately, or adopting the "bespoke" approach by layering and mixing the two synergistic fragrances together in differing proportions, to create an infinite variety of fragrances to suit their mood and personality.

Black Men Fashion Mens Fashion 2014 Boots Suits Winter Magazine Tumblr Shoes Shirts Photos Pics

Mens Fashion 2014 Mens Fashion 2014 Boots Suits Winter Magazine Tumblr Shoes Shirts Photos Pics

Mens Fashion 2014 Biography

Source:- Google.com.pk
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